Kenza restaurant and lounge bar in Bishopsgate opened its doors last month (September). The eatery reflects the styles of the Maghreb and the Middle East, with embroidered cushions, carved tables and alcoves. Manager Tony Kitous who also owns the Moroccan Pasha restaurant in Kensington.

 

 

The aim of Kenza was to replicate a grand Moroccan riad, a restaurant and lounge bar that epitomises glamour, femininity and seduction.

How did you achieve this?

 

I used cedar wood for the intricate carved furnishings, which are not only a beautiful material, but its distinctive scent adds to the atmosphere of the venue. I designed the chandeliers myself, taking inspiration from Morocco, Egypt and Syria to create intricate brass and crystal beaded statement lighting. Soft furnishings throughout combine with candles and scattered rose petals for an intimate feel.

 

My inspiration came from the traditional 1800's Moroccan way of entertaining, I just added a fantasy element.

 

5,000 sq foot, with a total of 250 covers.

 

15 months from start to finish.

What would you describe as the key and unique features?

The chandeliers and lighting concept is a key feature, as well as the impressive ironwork screen adorned with the good luck symbol – the hand of Fatima.

Comment:

"Kenza is my latest achievement and something I've been living and breathing for the last 15 months, I am already looking towards my next project".

Do you have a particular style?

My style is authentic Moroccan design; I just add a touch of glamour, fantasy and decadence.

Stage by stage, how do you approach a new project?

First of all I take a room and strip it bare so that I can analyse the layout and absorb it. I then dress the venue accordingly maximizing space with clever division of areas so that the venue remains personal and intimate.

 

What are the key considerations?

You have to have a personal passion for interior design and strive for the best. I wanted authentic Moroccan furnishings that I had designed myself, which meant a lengthy process of liaising with talented Moroccan artists, but when you see the finished venue you know it's all been worthwhile.